Swift and Beyonce show the lucrative pop-fashion liaison

The return of mega-concerts since the Covid-19
pandemic, with Beyonce and Taylor Swift leading the way, has highlighted the
lucrative links between fashion brands and pop stars.

Stage costumes have long been a way for designers to gain massive exposure
— think of Madonna’s conical breasts that helped make French designer Jean
Paul Gaultier a household name in the early 1990s.

From Edith Piaf’s little black dress through Elton John’s whacky glasses to
David Bowie’s many elaborate fashion statements — music stars have often
communicated with their clothes.

A pop star endorsement can have an immediate impact on a brand’s bottom
line.

Sales of rhinestone cowboy hats increased by more than 1,600 percent after
Beyonce wore one for her “Renaissance” tour, according to the Klarna payment
platform.

Data specialists Launchmetrics estimated that Alexander McQueen saw a $7.7
million boost for dressing Beyonce, while Versace sales jumped $6.3 million
thanks to Swift.

Designer David Koma told Vogue that one of his dresses sold out within a
day after being worn by Beyonce, and he saw a 53-percent increase in his
Instagram followers within a month.

Dsquared2 designers Dean and Dan Caten, who have also dressed “Queen B”,
told the magazine: “For us, the objective is not really about sales but about
image and the exposure that comes from aligning with a major artist that looks
good in our clothes and fits our aesthetic.”

Extreme fame

Swift goes through an average of 13 outfits each night of her Eras Tour,
whose European leg kicks off in Paris on Thursday.

These include ball gowns for the country section, sequined ensembles for
the pop hits, and vaporous dresses for her forays into folk.

They are courtesy of high-fashion labels like Cavalli, Louboutin and
Versace — though she was not always an obvious fit for them.

“Luxury designers wouldn’t have been as interested in partnering with
Taylor because her presentation as a pop star was down-to-Earth, unlike
someone like Beyonce or Lady Gaga,” said Satu Hameenaho-Fox, author of “Into
the Taylor-Verse”.

“But the level of her fame is so extreme now, and she’s become viewed as
very much in the pantheon of Great American songwriters, that, without ever
being daring in her fashion, she’s considered almost an institution, a classy
institution that any brand would benefit from being associated with.”

Like everything else to do with Swift, her fans dissect every outfit for
coded messages.

Swifties will be eager to see how she presents songs off her new album,
“The Tortured Poets Department”, which gets its first live performances in
Paris.

The 34-year-old singer adopts a Victorian gothic aesthetic in the album
artwork.

Intriguingly for many Swifties, in the video for new song “Fortnight”, she
wears outfits by young US designer Elena Velez, who has stoked controversy
with provocative “post-woke” stunts.

“Does that mean that Taylor is moving into a more kind of controversial
figure space,” wondered Glenys Johnson, author of “Taylor Swift: The Story of
a Fashion Legend”.

“The lyrics from her latest album were a lot about wanting to move beyond
the good-girl image she has. We Swifties are eager to see if this means Taylor
evolves into a more controversial figure,” Johnson added.(AFP)